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Baird, Daniel Gerson and Jordan Roberts - retrofitted to the information age with some space-age filler. Hiro’s journey is rather more pedestrian, resembling that of the classic hero - the writers are Robert L.
#Big hero 6 robot name movie#
Like the portmanteau name San Fransokyo, the movie fuses different source materials, drawing on diverse cultural traditions, urban landscapes, architectural visions and futurist ideas. What makes Baymax so memorable and emotionally potent is that he’s also something of a Proustian Marshmallow who triggers an irresistible chain of elemental pleasures: He’s a stuffed animal, a warm blanket, a cozy chair, a warm embrace.īoth Baymax and the backgrounds, with their amusing excesses and startling photorealistic detail, make the story seem fairly superfluous, at least until you’ve settled in. Created by Tadashi, the robot is a palpably tactile and charming screen presence who in time becomes Hiro’s supersize Jiminy Cricket, part folk philosopher, part moral compass. They pale next to Baymax, whose pleasing plumpness and symphony of cartoon sounds - when he walks, his legs produce muffled boing-boing noises - make him the embodiment of kawaii and the Japanese culture of cute. The designs for these characters are gently exaggerated, with innocuous looks to go with their friendly, unthreatening temperaments. The robot has been created as a “health care companion,” which means that he’s either a furtive endorsement of Obamacare or a criticism of the same, though he’s probably just a futuristic Florence Nightingale that looks like a cuddlier, more streamlined Michelin Man.
That’s certainly a good way to think of Baymax, the big, beautiful, bouncy white robot who toddles, waddles, squeaks and rather more prosaically flies through “Big Hero 6.” As voiced by Scott Adsit (from “30 Rock”), Baymax has a soothing, comforting voice that at first brings to mind the far more creepily insinuating one of HAL 9000, the computer villain from “2001: A Space Odyssey.” But Baymax, much like the movie itself, represents technological optimism at its shiniest and most reassuring. It’s a Disney superhero movie with a story from a Marvel comic book, if one rendered with the wit and texture often associated with Pixar, which I guess makes it a Walt Pixar Marvel.
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It doesn’t have some of the familiar Disney markers: There are no eardrum-busting anthems or warbling critters, and it isn’t a fairy tale, exactly, mostly because it’s about a boy. Disney’s latest animated feature, “ Big Hero 6,” is a bright, visually sumptuous 3-D computer-animated feature that gives you a bit of an emotional workout. Have the Walt Disney and Pixar animation studios become Walt Pixar, or maybe Wixar or Dixar? It’s getting hard to tell these once-distinct siblings apart.